Some items from CAMERAS
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The HXR-NX30 is an ultra-compact, palm-sized, professional NXCAM camcorder compatible with the latest full HD formats including 1080/50p video. It features a 26.0mm ultra wide-angle lens with 10x optical zoom (35mm equivalent: 26-260mm) and a back-illuminated 1/2.88-inch type Exmor R CMOS sensor for outstanding versatility.
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Sony |
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Sony's first professional AVCHD camcorder redefines the performance and features expected of this product class. It records stunning quality 1920 x 1080 images at 24Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording. Sony's “G Lens” and Exmor™ technology provide excellent resolution, colour and contrast, as well as exceptional low-light sensitivity.
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Dust and rain proof professional HD camcorderFor journalists, documentary makers and anyone else who needs capture superb content whatever the conditions, the dust and rain-proof HXR-NX70E is the perfect compact camcorder.
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Affordable high quality motion picture production The NXCAM NEX-FS100EK Super 35mm camcorder has been developed specifically for shooting truly stunning images at low cost. The high sensitivity, large format CMOS sensor is capable of producing full 1920 x 1080 progressive images with shallow depth of field similar to that of a film camera.
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Sony |
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The NEX-FS700E is an NXCAM camcorder with a superior Super35mm CMOS sensor, super slow-motion capability and an interchangeable E-mount lens system, offering unrivalled flexibility and creative expression. The NEX-FS700EK is also supplied with the SEL 18200 (E 18–200mm F3.5–6.3 OSS) 11x zoom E-Mount lens, with the Optical SteadyShot™ image stabilisation system.
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Sony |
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The PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. - Lens mount adapter (1) |
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Sony |
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The PMW-100’s 1/2.9-inch Exmor CMOS sensor and MPEG HD422 codec offers astonishingly high quality HD image capture in a compact, light weight chassis. It’s a perfect partner for the popular PMW-500 XDCAM HD422 shoulder camcorder, with all the benefits of the established XDCAM production workflow for speed and reliability. Advanced features such as slow and quick motion, cache recording and Night Shot also ensure the PMW-100 is a no-compromise choice when used independently. |
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Sony |
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PMW-200 - Three 1/2-inchExmorCMOS sensors XDCAM camcorder recording Full HD 422 at 50 Mbps - Lens hood (1) |
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Sony |
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The newest member of Sony's CineAlta lineup, the PMW-F3 inherits DNA from the F35, which has been used for years in high-end digital cinematography, as well as most of the features and file-based workflow capabilities of PMW-EX1R and EX3 XDCAM EX solid-state memory camcorders.The PMW-F3 is equipped with the newly developed Exmor™ Super 35 CMOS image sensor, PL lens mount, and SxS card for 1920 x 1080 full-HD recording. Sony offers two affordable models of the PMW-F3: one is without a lens, the PMW-F3L; the other includes three PL lenses (35/50/85-mm, T2.0), the PMW-F3K.The PMW-F3 features future expandability, including RGB 4:4:4 baseband output with S-LOG gamma for external recording which means it can be used in an HDCAM-SR™ workflow. It also offers a 3D-LINK option, which allows two camcorders to be controlled simultaneously for 3D stereoscopic shooting. - PL lens mount adapter |
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Sony |
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The newest member of Sony's CineAlta lineup, the PMW-F3 inherits DNA from the F35, which has been used for years in high-end digital cinematography, as well as most of the features and file-based workflow capabilities of PMW-EX1R and EX3 XDCAM EX solid-state memory camcorders.The PMW-F3 is equipped with the newly developed Exmor™ Super 35 CMOS image sensor, PL lens mount, and SxS card for 1920 x 1080 full-HD recording.The PMW-F3 features future expandability, including RGB 4:4:4 baseband output with S-LOG gamma for external recording which means it can be used in an HDCAM-SR™ workflow. It also offers a 3D-LINK option, which allows two camcorders to be controlled simultaneously for 3D stereoscopic shooting. - PL lens mount adapter |
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Panasonic |
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Newly added to the Panasonic AVCCAM lineup, the AG-AC160E and AG-AC130E Memory Card Camera Recorders offer a host of advanced functions. The lens, camera section and recorder section of these models have been significantly revamped by incorporating cutting-edge technologies. |
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Panasonic |
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Newly added to the Panasonic AVCCAM lineup, the AG-AC160E and AG-AC130E Memory Card Camera Recorders offer a host of advanced functions. The lens, camera section and recorder section of these models have been significantly revamped by incorporating cutting-edge technologies. |
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Utvalda varor |
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Promotoion until the 11 th of october 2011 The AG-AF100 series is a professional AVCCAM Series HD camera recorder equipped with the Micro Four Thirds optical system commonly used in digital single lens still cameras. It directly accommodates Micro Four Thirds digital single lens still camera lenses, and an adaptor can be used to mount 35 mm film camera lenses and prime lenses. This lets you capture a wealth of film-like images with distinctive lens characteristics, like a shallow depth of field and an attractive soft focus. Designed for stable camera work, the AG-AF100 series is packed with functions and specifications that combine comfortable operation with superb images and extended recording times. It features HD-SDI output and mic input, remote control terminals, and versatile system interfaces that you normally find only on professional camera recorders. The AG-AF100 series also offers PH mode recording to deliver optimal AVCHD image quality in multiple HD video formats — including 24p and 30p. The variable frame rate enables slow/ quick motion recording. Use the AG-AF100 series to produce videos with stunning image quality, such as music, promotional, TV commercial and other short productions.
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Panasonic |
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The AG-HPX250E Memory Card Camera Recorder is a new handheld model for Panasonic’s broadcasting and professional P2HD Series. Incorporating new technology in the lens, camera section and recorder section, this compact unit offers a level of performance that approaches full-size, shoulder-type broadcasting camera recorders. It’s also the first handheld model to support AVC-Intra codecs. Combined with the high-sensitivity, low-noise, 1/3-type 2.2-megapixel U.L.T. (Ultra Luminance Technology) 3MOS image sensor, it enables high-quality recording of Full-HD (1920 x 1080), 10 bit, 4:2:2 full sample broadcast-level images. In addition the new 22x zoom lens covers a wide range, from wide-angle to telephoto, the lens also features three independent control rings — for focus, zoom and iris the same kind of manual operation that you get with interchangeable lenses. The AG-HPX250E also features GENLOCK input and TC input/output for synchronizing multiple cameras. Together with HD SDI output, this provides smooth operation in a live relay and recording system for multi-camera broadcasting and production work. A variable frame rate (VFR) function for slow-motion and quick-motion images, and a cine-like gamma setting also bring versatile expression to all kinds of image production. This stunning image quality, operating ease and handheld camera mobility work together to open a new dimension in news gathering and image recording. |
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Panasonic |
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Panasonic’s AG-HPX371 P2 HD camera recorder moves you up to a whole new level of production quality. A new, state-of-the-art 2.2 megapixel 3-chip U.L.T. (Ultra Luminance Technology) imager produces stunning HD content in a wide range of shooting conditions, with the F10* sensitivity and image quality of larger imagers. With a superior 10-bit, 4:2:2, full 1920 x 1080 resolution AVC-Intra codec, the HPX371 can record more image detail more accurately. Ready for global production, the HPX371 offers international HD and SD standards, including 1080i and 720p as well as industry-standard DVCPRO HD. Data is recorded onto reliable P2 memory cards. With its superb image rendering, long recording time, easy operation and flexible adaptability to IT, the AG-HPX371 is a powerful answer to today's advanced video production demands. It also offers low operating costs and high environmental performance.
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Blackmagic Cameras |
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Blackmagic Cinema Camera is one of the world’s finest digital film cameras with a beautiful design that features a machined aluminum chassis, interchangeable optics, high resolution 2.5K sensor, 13 stops of dynamic range and 12-bit RAW uncompressed and compressed ProRes and DNxHD file formats!
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Blackmagic Cameras |
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Get an even wider range of lens compatibility with the Blackmagic Cinema Camera MFT with Passive Micro Four Thirds (MFT) mount! Perfect for MFT lenses or even adapters to other lens mounts such as PL. You get the same beautiful design that features a machined aluminum chassis, interchangeable optics using Passive Micro Four Thirds (MFT) lens mount for manually operated lenses and adapters, high resolution 2.5K sensor, 13 stops of dynamic range and 12-bit RAW uncompressed and compressed ProRes and DNxHD file formats! Includes sun shield, power supply, carry strap, UltraScope waveform monitoring software and a full version of DaVinci Resolve Software for Mac OS X and Windows.
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Blackmagic Cameras |
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Easy grip handles for Blackmagic Cinema Camera. Add optional handles for shooting in locations where you need to move around quickly with your camera. Handles let you steady your shot and keep up with the action! |
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Blackmagic Cameras |
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Shipping in July Blackmagic Pocket Cinema Camera isthe world’s most compact Super 16 digital film camera features an elegant magnesium alloy chassis, 13 stops of dynamic range, Super 16 sensor size, high quality Apple ProRes 422 (HQ) and lossless compressed CinemaDNG RAW recording, as well as interchangeable optics with an active Micro Four Thirds lens mount, all packed into an incredibly tiny size. Includes power supply, removable/rechargeable battery and wrist strap. Included items: |
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Blackmagic Cameras |
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Shipping in July Blackmagic Production Camera 4K is a complete self contained solution for shooting extremely high resolution Ultra HD 4K content! You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, visually lossless compressed CinemaDNG RAW and Apple ProRes 422 (HQ)™ file recording and 12 stops of dynamic range, as well as a 6G-SDI output! Monitor in high resolution on the built in touchscreen, plus change menus and enter metadata. Includes sun shield, power supply, carry strap, UltraScope waveform monitoring software and a full version of DaVinci Resolve software for Mac OS X and Windows. Included items: |
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Canon |
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The Canon EOS C100 Digital Video Camera is the latest addition to the Cinema EOS family, bringing together the renowned technology of Canon CMOS sensors, DIGIC DV III Image Processor, and EF lens compatibility in a smaller, lighter body. Modular and compatible with a host of Canon and third-party accessories, the EOS C100 brings true cinema quality to independent event videographers and video production organizations. The EOS C100 sports the Super 35mm Canon CMOS Sensor and Canon DIGIC DV III Image Processor of the C300 and records at 24Mbps using an AVCHD codec for easy integration in existing production workflows. Operability and customization make the EOS C100 an ideal camera for one-person operation while providing expanded professional capabilities such as HDMI output with embedded Time Code, support for external recorders, remote operation, and complete manual control over both video and audio recording. Pair the powerful and portable EOS C100 with the full range of Canon EF, EF-S and EF Cinema lenses, from fish-eye to macro to super telephoto, and make this expanded vista your new starting point on your cinematic adventure. - Side Grip (1) |
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Canon |
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The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work. - Monitor Unit (1) |
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Canon |
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The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats. The EOS C500 features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems. Canon has collaborated with some of the most respected names in the industry to ensure the Cinema EOS C500's output works seamlessly with external digital recording units, portable and master monitors, and on set DIT systems. The Cinema EOS C500 provides flexibility in 4K and 2K recording to allow production teams to maximize the efficiency in their production and post-production workflows. |
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